FirstPersonPodcast · First Person Podcast Episode 35: Disco Elysium This month on the First Person Podcast, we delve into Disco Elysium with Lindsay Meaning, Rob Parker, Sabrina Sgandurra, and Axel Hassen Taiari to discuss their experiences with the game. We… Continue Reading
This month on the First Person Podcast, you join Lia Black, Giuseppe Femia, Chris Lawrence, and Sabrina Sgandurra to look at the roles they have filled. What experience are they looking for in the characters they portray? How do they… Continue Reading
This month on the First Person Podcast, we sit down with Lia Black, and Sarah Stang for Valentine’s Day to discuss their hot takes on romance in gaming. What are their video game crushes? What makes for a good romance narrative? What should we be seeing more of in our romance titles? All these questions and more will be answered on this episode of the podcast. Continue Reading
In the introduction to Role-Playing Game Studies: A Transmedia Approach, José P. Zagal and Sebastian Deterding call games “trusty little mirrors of social life . . . miniaturized, maybe a bit abstract, but strangely compelling” (1). The latter portion of that quote serves just as well to describe their book’s relation to its topic. Noting a lack of cohesion in the study of role-playing games (RPGs), Role-Playing Game Studies strives to integrate scholarly works dispersed across a variety of disciplines and locales, and to begin the work of establishing a canon of RPG scholarship. Indeed, in a space already so nebulous and uncentered as game studies, RPGs appear mostly as curiosities – blips scattered across journals, institutions, and conferences, with little sense of who else is studying them and why. Continue Reading
Some forms of immersion focus upon the repetitive execution of a particular task or activity involving a certain degree of agency (Adams, 2004; Holopainen & Björk, 2004; Ermi & Mäyrä, 2005; Calleja, 2011). While in video games, immersion into activity often involves manipulating interfaces using a keyboard, mouse, or controller; in larp, kinesthetic involvement is more fully embodied. Some larps still use representational mechanics for combat, e.g. using one’s hands in rock-paper-scissors in a Vampire: the Masquerade larp. Others use a mixture of embodiment and mechanics, such as hitting a combatant with a foam sword and calling out numbers to represent the amount of damage incurred. Continue Reading
Live Action Role-Play(ing), or LARP, is a type of playful activity incorporating elements from (tabletop) role-playing games, improvisational theatre, historical re-enactment, and performance art, among other things. In the book Nordic LARP, editors Stenros and Montola present an engaging and valuable overview of LARP in the Nordic countries (Norway, Denmark, Sweden, and Finland), a tradition and community that has become famous for its experimental and artistic approaches to LARP. The book is filled with accessible sketches of selected LARP games from the Nordic tradition, illustrating the diversity of the LARPing scene, as well as Nordic LARPing communities’ inclination towards exploring the boundaries of the medium itself. As such, it is a book aimed both towards the critical LARP enthusiast and those involved in the study of games in a broad sense. Continue Reading